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Letters against Separation – Nikita Yingqian Cai in Guangzhou |
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A Note on Seattle Police Department's Mourning Bands – charlesmudede |
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The Challenges of Visualizing a Pandemic |
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Letters against Separation – Furqat Palvan-Zade in Tashkent |
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Notes on the Black Plague – charlesmudede |
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"Hong Kong and Taiwan are cultural powerhouses. That terrifies Beijing." |
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Kafka on Swimming and the Impossible |
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Giorgio Agamben: "Requiem for the Students" |
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Letters against Separation – Irmgard Emmelhainz in Mexico City – gardiemmel |
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“Planetarity,” “Planetarism,” and the Interpersonal |
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Open Letter from AA Bronson to the Canada Council Art Bank |
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Revenge Capitalism: The Ghosts of Empire, the Demons of Capital, and the Settling of Unpayable Debts |
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Achille Mbembe: "The Universal Right to Breathe" |
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Jodi Dean: "Capitalism is turning itself into neofeudalism" |
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Rethinking the Venice Biennale for a Post-Pandemic World |
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A "small utopia"? Artists' film and video online |
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Blues lines |
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Justine Kurland’s “Girl Pictures” |
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"Metro Pictures Online Film Festival" |
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“Artists in Quarantine,” public intellectuals, and the trouble with empty heroics |
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Virtually Ever After: art in the post-digital era |
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Sharif Waked’s “Balagan” |
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Boris Groys, “Comrades of Time” (2009) |
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Skins Within: On contamination and digital corporeality |
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Claudia Andujar’s “The Yanomami Struggle” |
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Education |
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School of Visual Arts MFA Computer Arts Cla*** of 2020 |
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California College of the Arts Graduate Fine Arts Cla*** of 2020 |
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Say Ever Moves: Bard MFA Cla*** of 2020 Thesis Exhibition |
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The Place of Birth: Sandberg Inst**uut Graduation 2019 |
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Hero Ready: The University of Texas at Austin 2019 MFA Thesis Exhibition |
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Bridges Are Burning: Trondheim Academy of Fine Art 2019 MFA Thesis Exhibition |
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Setup: Bard MFA Cla*** of 2019 Thesis Exhibition |
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Tripping Autonomy: Piet Zwart Inst**ute Master Fine Art 2018 Graduate Exhibition |
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Academy of Fine Arts Vienna Thesis Exhibition 17|18 |
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From the Studio: Zurich University of the Arts Degree Show MA Fine Arts 2018 |
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Course Correction: The UCU Strike and Art Education in the UK |
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Representing the Real: RAW Académie 7: "Images for our time" |
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New Dynamics: “The Big s***ft” at Moderna Galerija |
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Navigating Volatility: Home Workspace Program at Ashkal Alwan |
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Beyond the Individual: “Expanded Sculpture” and the Social at the Academy of Fine Art, Oslo |
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Social Studies: Chloë Ba*** and Gregory Sholette Discuss Social Practice Queens |
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Aesthetic Education: Exhibition Practice and the Kochi-Muziris Students’ Biennale |
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Quiet Forms of Revolution: 107th College Art a***ociation Annual Conference |
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Within the Inst**ution, Without Walls: Curatorial Research Bureau |
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Pa***ing the Impa***e: The Fifteenth Season of the Artist's Inst**ute at Hunter College |
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Hold Me Now — Feel and Touch in an Unreal World |
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Imaging Dissent: Towards Becoming a Common Subject |
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Dancing in Museums: A Decade of Movement |
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Our s***fting Ground Is Written in the Cloud |
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Watershed Ways |
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Mercurial States |
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war-weather continuum |
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Performance a***embles Publics: Contact Improvisation as Landmark |
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Social Relations > Property Relations: A Speculative Curriculum |
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In Search of a Recuperative Aesthetics |
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Sternberg Press |
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University of Minnesota Press |
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University of Minnesota Press |
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Distributed by MIT Press |
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The MIT Press |
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Martha Rosler Library |
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SUPERCOMMUNITY |
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101 Art Ideas You Can Do Yourself |
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Agency of Unrealized Projects |
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Utopia Station |
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Report (Not Announcement) |
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DO IT |
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